Travis Tritt / Lee Roy Parnell

By Michael W. Stout

Travis Tritt's Ten Feet Tall Tour left the near sell-out crowd ten feet off the ground on October 8, at Freedom Hall. What was scheduled to be a triple-header wound up being a mere double-header due to Joe Diffie's illness, but turned out to be a winner just the same.

Travis Tritt hit the stage riding a spit-and-polished, jet black-and-chrome motorcycle through a cloud of smoke and lasers. This foreshadowed a night to remember. A steel hydraulic bridge, balcony and Tritt's 10-foot initials in red and white lights added to the theatrics of the evening.

He offered selections that fans of any genre of music would enjoy. This jukebox of hits included both old and new Tritt tunes, a tribute to the greats of country music and a hefty selection of rock tunes.

Lee Roy Parnell. Photo by Letha Marshall

The crowd rose to its feet and roared at tunes such as "Foolish Pride," "Here's A Quarter (Call Someone Who Cares)," "Country Club," and his latest release, "Ten Feet Tall and Bulletproof." The crowd sat only during Tritt's tribute to country music when he honored George Jones, Merle Haggard and Johnny Cash with the combination of his unique voice, his guitar, a stool and a spotlight.

Tritt stated that being called an outlaw was the best compliment he could receive and paid respect to the outlaw by performing "Outlaws Like Us" with Waylon Jennings and Hank Williams Jr. via a bigger-than-life video screen. The crowd resumed its rowdiness on rockin' tunes such as "Pink Cadillac" and "Keep Your Hands to Yourself."

The Country Club, Tritt's six-piece band, offered up a heaping portion of mighty fine fiddle, heavenly harmonica, bad bass, kickin' keyboard and some major drumming. These fine musicians kept the crowd feisty throughout the evening.

The crowd ate up Tritt's nearly 2-hour set, which included a 5-song encore, but walked away still hungry. He got lost in the moment and seemed to forget to sing many of his hit ballads like "Anymore," "I'm Gonna Be Somebody," "Drift Off to Dream," and "Worth Every Mile." When the fans pay to hear Travis Tritt, they expect to hear Travis Tritt.

Lee Roy Parnell started the evening off right with a very simple, yet extremely pleasing 60-minute set, proving that simple can still be good. Parnell's stage consisted of his 5-piece band and a desert road backdrop. He described his show as "no smoke bombs, we just stick to the music."

Parnell wowed the crowd with some of his biggest hits such as "On the Road," "Love Without Mercy," "I'm Holding My Own" and "Tender Moment." He also offered a well-received tribute to Merle Haggard by singing "Working Man Blues," and a rhythm and blues tribute with his soulful version of "The Weight."

Lee Roy's voice was very pleasing, though sometimes muffled due to the sound being turned several notches too high, but didn't hold a candle to his virtuoso guitar playing. This is not meant to degrade his vocal ability, but to try to paint a picture of just how high he is on the totem pole of guitar playing. His slide guitar left a permanent imprint in my mind. From the crowd's response, it seems that Lee Roy Parnell is finally starting to receive the recognition he deserves.